from by fragment king

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in 2002, i worked on a whole series of recordings that included guitar and bass guitar, synths and samplers, and various digital recording and editing methods. the results of these sessions were fragment king's pathomechanical studies, the schismotecture recordings, and material used for nexicon. midian, featured here, was originally a drum machine and guitar piece that included synth. an edited and truncated version is part of the schismotecture recordings. seven years later, i decided to take a look at the original tracks that eventually turned into "void" back then. the original track name, which tend to simply pop up in my mind as result of some form of association, was "midian". back then, i had worked on two versions, which i re-worked in protools. the result of that re-working is what i'm offering here: two tracks, "midian 1" as originally intended in full length, and "midian 2", also in full length. think godflesh x lustmord: dehumanized, in the sense of the german "entmenscht", vast, barren, sprawling, sinister, massive, desolate. what come to my mind are the landscapes of the meta-dimensional space of the space-time engineers as thomas ziegler described them in perry rhodan 1250. that pretty much sums it up!


from War On Silence, released March 1, 2010



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fragment king Lund, Sweden

fragment king [or fk or "the king who is broken"] oscillates between primitive and complex, between instinct and discourse, between guitars and computers, between human body and the body of space. fk is a fictional persona: "there is no fragment king, and there never was nor will be such a thing." ... more

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